莫伊拉·希勒

星座:摩羯座
职业:演员
出生地:苏格兰

She was born Moira Shearer-King at Morton Lodge in Dunfermline, Fife, Scotland, the only child of civil engineer Harold Charles King and Margaret Crawford Reid, née Shearer.[1] In 1931 her family moved to Ndola, Northern Rhodesia, where her father worked as a civil engineer and where she received her first dancing training under a former pupil of Enrico Cecchetti.[2] She returned to Britain in 1936 and trained with Flora Fairbairn in London for a few months before she was accepted as a pupil by the Russian teacher Nicholas Legat.[2] At his studio she met Mona Inglesby[3] who gave Shearer a part in her new ballet Endymion, presented at an all star matinee at the Cambridge Theatre in 1938.[4] After three years with Legat, she joined the Sadler\'s Wells Ballet School. After the outbreak of World War II, her parents took her to live in Scotland.[2] She joined Mona Inglesby\'s International Ballet[5] for its 1941 provincial tour and West End season before moving on to Sadler\'s Wells in 1942.  Her first \"claim to fame\" is as Posy Fossil in the advertisements for the Noel Streatfeild book Ballet Shoes while she was training under Flora Fairbairn, a good friend of Streatfeild\'s.  She came to international attention for her first film role as Victoria Page in the Powell & Pressburger ballet-themed film The Red Shoes, (1948).[6] Even her hair matched the titular footwear, and the role and film were so powerful that although she went on to star in other films and worked as a dancer for many decades, she is primarily known for playing \"Vicky\".  Shearer retired from ballet in 1953, but she continued to act, appearing as Titania in A Midsummer Night\'s Dream at the 1954 Edinburgh Festival. She worked again for Powell on The Tales of Hoffmann and on the controversial film Peeping Tom (1960), which damaged Powell\'s own career.  In 1972, she was chosen by the BBC to present the Eurovision Song Contest when it was staged at the Usher Hall in Edinburgh. According to author and historian

莫伊拉·希勒影视作品 更多
1960
偷窥狂
故事讲一个叫马克的年轻人,他是伦敦的一个摄影师,靠拍春宫片谋生;他的业余爱好是把年轻的女郎弄到摄影机前,在她们意识到自己将被杀害时,拍下她们惊恐万状的脸。他的性欢乐就是在一座阴森森的老房子里欣赏这些年轻女人的恐怖表情。而我们后来知道,马克的这种爱好和他的童年生活有关。他的父亲是一个地质专家,喜欢探索人类的心理和生理对恐怖的承受能力;为了研究,他父亲从小就拿马克做试验,用种种恐怖来考验他:在他熟睡时突然用强烈的灯光把他照醒,或者干脆就扔一条蜥蜴在他的枕头上。而且每次,他的父亲都会用相机记录下儿子对各种恐怖的反应。现在马克的父亲死了,儿子承袭了父亲的爱好,并将之发挥到最邪恶的地步。不过,一直要到影片的结尾,观众都无从知道马克的那些受害人到底是怎么死的,为什么她们脸上会有那么惊恐的表情。影片最后,马克碰上了第一个他舍不得杀害的女人,21岁的邻居海伦,他告诉了海伦他是怎么杀人的:他的摄影机的三角架装有一个隐秘的可伸缩的锐器,以及一面镜子,当摄影机慢慢往前移动进行特写拍摄时,隐藏的锐器就慢慢刺向那些年轻女子的喉咙,而她们自己可以在悬挂的镜子上看到自己无比恐惧的脸。所以马克对海伦说:"你知道世界上最恐怖的事情是什么吗·那就是恐惧本身。所以我做的事非常简单,非常简单。当她们意识到伸向她们的锐器是要她们的命时,我就让她们从镜子中自己看自己如何死亡,我让她们从镜子里看到自己的恐惧。如果死亡有脸的话,就是镜子中的那张脸。